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Adapting the L2 Classroom for Age-related Vision Impairments
Jessica A. Thonn
jthonn[at]cla.unifi.it
University of Florence (Florence, Italy)
We as teachers need to be aware of the
effects of aging on our pupils' vision, modifying our instruction and
instructional materials to accommodate decline.
Introduction
The older learner may be having a substantially different learning
experience compared to the younger student. Whether the student
is 40, 50, or 75, what aspects of the external world the student's body
and brain are perceiving will impact what it is that the student
processes of your lesson, and most likely it is not what the
19-year-old student is perceiving.
Our body changes as we get older. Some of these changes start
around 40, some around 50, and many more start cascading around us as
we reach our seventh decade. None of these, however, are
inevitable or definite; some will happen to us, and some may not.Our
older student may present any combination of these, or may not have
any of them. We simply need to bear them in mind.
The Impact of Vision Decline
The L2 classroom depends significantly on vision: from teacher's notes
written on the board, to handouts, from video scenes to textbooks, from
computer screens to pictures. Our perception of all of this is
necessarily impacted by the aging of our eyes. We all know that
most people become more and more nearsighted as the lens hardens; most
people, including your older students, will become aware of that
and probably buy some corrective eyewear. However, bear in mind
that people often put off buying a new pair of prescription glasses
until their vision clearly disrupts their everyday life; so you might
find yourself with students within that limbo of needing new glasses,
yet not so impaired by their vision as to buy them yet. In addition,
the older eye's harder lens makes it more sluggish in adapting to
looking from near to far objects. Obviously, in the classroom,
this means that it will physically take the older student longer to
process what's written on the blackboard after he looks up from his
book. Any delay hence caused is biological, not cognitive or
linguistic.
Other parts of the eye age as well, impacting older students' ability
to perceive visual stimuli in the classroom. Let's look at this
scenario:
"Okay class. At the bottom of
page 36 I want you to connect the phrases in the green boxes to the
correct words in the blue boxes." The majority of the students
goes right to the task and is done in 3-5 minutes. As you are
waiting, you watch as your older students look over (or under) their
glasses at the bottom of the page, scan it a bit, try to adjust their
own distance from the book, look over to the student on their right for
a while, look at their book again for a while, adjust the inclination
of the book a bit, stare at it, then look over to the student on their
left ('cheating at their age!" you think indignantly), before breaking
the rules of what's supposed to be individual work by whispering to the
student on their right, thereby interrupting that student's work and
maybe distracting the 'good' students from the task at hand. How
dare they! And it was an easy task too -- just match the word to
its definition.
What an awful student, right! Nope, wrong. Good student,
bad eyes. Age-related accumulation of yellow-filtering pigment in
the lens causes us to become less sensitive to the blue part of the
color spectrum, so it's hard to distinguish blue from green. This
is especially true of pastels, like the ones used in most
textbooks. Also, this characteristic will appear earlier in
diabetics or in people with glaucoma as their cones (photoreceptors on
our retina) are affected by these now-common diseases.
Vision Changes: Let Your Learner's Movements Reveal Their
Problems
Observe your older students. They will let you know by their
movements what they're trying to correct for. Just as they might
lean toward the source of sound to hear better, they'll be physically
moving to adjust for vision impairments. Looking over or under
their glasses, or moving the object of their vision further away, might
indicate problems with their current glasses, or certainly with
bringing an object into focus. However, other, perhaps subtler
actions will give us clues to additional types of sight loss, most of
which the older students in the above scenario so kindly and clearly
demonstrated for us.
Remember how the older students seemed to stare for such a long time at
their neighbour's page -- seemingly taking in everything their
neighbour
had done up till then, probably making you angrier and angrier? They're
probably actually getting the same amount of information that
their younger counterparts are getting in just a glance, since the
older eye takes longer to adjust for changes in distance. Yes,
the older learner may be copying, as their less-obvious younger
classmates may be doing in their much briefer -- and less conspicuous
--
eyeful, or they may just be looking to see how the student is doing the
exercise, comparing/contrasting others' actions to their own. Perfectly
natural learner procedures, just that the older students'
'unnatural' length of time on the task makes us suspicious, or cause
other negative emotions (frustration, anger, resentment, etc) inside
us.
Let's go back to observing our older students' actions. Are they
adjusting the inclination of their textbooks, like the student in our
scenario? Perhaps they are trying to accommodate for too
much glare. Older eyes need 50 to 70 percent more light than
younger eyes when glare is present, as the lens becomes more opaque as
we age (Williams, 1995). If the light (sunlight or artificial) is
shining right on their book, on the board, or in their eyes as they
interact with others in the classroom, suggest that the learner move to
a seat where there is less glare.
Less Apparent Difficulties
The Need for More Time to Adjust to Alterations in
the Amount of Light
Another subtle change that occurs in aging is the
reduced elasticity of the iris and the pupil: they become more
rigid, and the pupil gets smaller. Think of the shock as you go
from a dark room into the sunlight, as your pupils shrink in response
to that bright, shining light. Now think of going from a bright
sunny day into a dark building; your eyes need a bit of time to adjust
as your pupils grow to catch all available light. If your pupil
is smaller it's not going to be able to take advantage of all the light
in those dim conditions, so it's going to need more light than a
younger eye to distinguish the same objects. That's the way the
older pupil's pupil is; it's now living in a constant state of dimmer
conditions, hence it needs more light. Also, as the older pupil
is less elastic, it is slower to adapt to changes in light
level. Consequently, it's going to need more time to adjust to
alterations in
the amount of light present in the classroom. Take a minute to
reflect on both the quantity of light in the classroom and whether, at
the times when that light amount changes (turning lights or videos
on/off), you are requiring the students to process important visual
information.
The Need for Greater Contrast
Yet another important point for the classroom is the older student's
need for greater contrast, as less light reaches the retina. Older
pupils need the darks to be darker, and to make sure that the
contrast between two colors is marked, rather than subtle. Hence,
you might need to avoid peach and grey, favoring instead a more
visible, high-contrast combination such as red vs green, or blue vs.
yellow. If contrast is an issue for your learners, the blues,
reds, yellows, and greens should be deep, dark/bright colors (high
contrast), and not pastels. As your student may not even realize
that they are not picking up the colors, you may need to be anticipate
this, marking in your handouts/book those few pages where
lower-contrast distinction might be a problem. For textbooks and
written materials, you'll need to make sure you have the highest
contrast: dark black letters (not grey, yellow, or any
light-colored lettering) against a white (but not glossy!)
background. Colored paper is ok, as long as the lettering is high
contrast -- in fact you may want to make the words a bit bigger than
normal to increase contrast. Keep all of these criteria in mind, too,
when assigning web sites to older adults.
Ability to Make Out Contours Diminishes When There Is a High
Density of Lines
From age 30 on we become less and less sensitive to high-frequency
images (basically, highly-detailed, close-together objects). This
means that our ability to make out contours diminishes when there is a
high density of lines, making forms blurry – unless supplemental
lighting (but not glare!) is provided (Sekuler and Blake, 2002). Don't
feel frustrated if your older students are not responding as you
would expect to photographs, or if they are taking longer than all the
others looking at them; in fact, either you'll need to provide
more lighting or these simply may not be appropriate didactic materials
for those students. Also, letters/words should not be too tightly
spaced.
Ability to Discriminate Detail in Moving Objects Decreases
In the language classroom we're usually not just looking at static
images, but also dynamic, moving objects on the video or computer
screen. Unfortunately, our ability to discriminate detail in moving
objects decreases much more rapidly than for stationary images. Also,
older adults with good vision have been found to be only half as
good at judging direction as younger people (Sekuler and Blake, 2002).
So, when using computers or videos, make sure your questions directed
towards older learners are more linguistically-oriented, rather than
based on the picture. You may not want to ask your older students
for careful descriptions of the image itself, as it may be a task their
eyes simply cannot perform in your classroom's circumstances
Not Everything Changes
One last note about vision. There are many
aspects of sight that are not affected by age: the perception of
movement (that is, judging if stationary or moving), the perceived size
of objects, an object's orientation, the perception of depth (unless
the object's shadow is not perceived well due to low contrast or
motion), the coordination between the two eyes, or reading facial
expressions (which actually has its own parts of the cortex and
amygdala). Keep these in mind, too, when asking students to
respond to visual stimuli in their environment.
Benchmarks in vision decline

Source: Sekuler and Blake, 2002.
Sharpen Their Senses
Curiously, both anticipating and imagining a stimulus to a sense will
increase the metabolic activity in the related portion of the
brain. The students will be able to recreate sounds, images,
tastes and body sensations within their own heads (not smell though,
although trying to remember smells does trigger an emotional response),
which they may not be able to perceive externally quite as sharply
anymore. So, when a particular sense, in this case vision, is
critical to your activity, announce that you will be working with
it. Furthermore, encourage your students to 'see' the image a
while in their head, in addition to simply seeing it with their eyes.
By drawing your students' attention to the sense, by allowing them to
mull over visual input with their eyes closed, you are helping
them to "sharpen their senses".
What Needs to be Changed
In summary, if we want to truly accommodate the visual impairments that
accompany aging, we need to go far beyond mere nearsightedness, which
is usually fixed by glasses.
Think about all the visual stimuli you provide your students, whether
static or dynamic: pictures, words, on paper, on the board, on
computer or tv screens.
- Look at them through older eyes: is there enough
contrast?
- Is there too much glare?
- Are color combinations which an older eye might not be able to
pick up (especially blues/greens, or any of the pastels) being used to
signal important linguistic or meta-linguistic information, such as
similarity or contrast?
- Are you giving older eyes enough additional time to move from one
visual stimulus to another: such as, from near to far, from dim
to lit, from high to low contrast?
- Are the images too "busy", with too much high-frequency visual
input -- are words or letters too closely spaced?
Perhaps you'll need to bring in special equipment: videos that
offer higher contrast and are shielded from glare, supplemental
lighting for each seat, or shades to block glare from
windows/lights/doors.
Above all, though, think about the questions you are asking your older
students based on visual stimuli: are you asking them questions
that their language knowledge could answer but that their eyes cannot?
Bibliography
- Benbow, Ann E. Communicating with older adults: A
guide for
health care and senior service professionals and staff. The SPRY
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the functional visual field: Further evidence for an inverse age
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- Holliday, Robin (2004). Aging: The reality. The
multiple
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- Sekuler, Robert and Blake, Randolph (2002). Perception, 2nd
Edition. McGraw Hill, Boston.
- Williams, Mark E. (1995). The American Geriatric Society's
Complete Guide to Aging and Health. Harmon Books, New York.
- -------- (1985). The sixth sense: Understanding
sensory
changes and aging. The National Council on the Aging, Inc.,
Washington, D.C.
The Internet TESL Journal, Vol. XI, No. 4, April 2005
http://iteslj.org/
http://iteslj.org/Techniques/Thorn-Vision/